About

I want to seduce people into thinking – Ellen Harvey

Ellen Harvey is a British-born conceptual artist whose work ranges from guerrilla street interventions like her iconic New York Beautification Project for which she painted miniature landscapes over New York’s graffiti sites to immersive institutional installations and large-scale public artworks. Her work is painting-based but utilizes a wide variety of media and participatory strategies to explore several reoccurring themes such as the social and ecological implications of the picturesque, the revolutionary potential of nostalgia, the conflict between advertising and ornament in public space, and the role of art and the artist in our society.

Her current project The Disappointed Tourist, for which she has been painting lost sites suggested by members of the public, has formed the centerpiece of a traveling survey show that has been exhibited at the Butler Gallery (Ireland), Laznia Centre for Contemporary Art (Poland), Museum der Moderne Salzburg (Austria) and Turner Contemporary (UK). The exhibition at Turner Contemporary was selected by Frieze as one of the five best institutional shows in the UK in 2021. The Disappointed Tourist will be shown at the Chicago Architecture Center next fall and will be part of an upcoming survey show at UCF Contemporary Art Museum (Tampa, FL) in 2026.  

This year she has also been working on a new project The Utopia Machine, currently on view at the Los Angeles Central Library Getty Gallery, for which she is painting fictional patent drawings based on utopias submitted by library patrons and other members of the public. Her new outdoor installation Winter in the Summer House, supported by a NYSCA grant, will be on view at artist Frederick Church’s Olana estate next summer. 

Harvey has exhibited extensively in the U.S. and internationally. Her work was included in the 2008 Whitney Biennial. Solo museum exhibitions (other than her recent traveling survey show) have included the Barnes Foundation (Philadelphia), the Groeninge Museum (Belgium), the Corcoran Gallery of Art (Washington DC), the Bass (Miami Beach), the Center for Contemporary Art (Warsaw, Poland), the Pennsylvania Academy (Philadelphia) and the Whitney Museum at Altria (New York).  Her work has been included in group shows at the Vienna Secession, the Gwangju Biennial, the Brooklyn Museum, PS1 Contemporary Art Center, the Seattle Art Museum, the Sculpture Center (NY), the Queens Museum, the Princeton University Art Museum, the Prague Biennial, Turner Contemporary (UK), SMAK (Belgium), Arnolfini (UK), Museum Kurhaus Kleve, Contemporary Jewish Museum (San Francisco), Pinokothek der Moderne (Munich), among others.

She is the author of the recently reissued New York Beautification Projectand her work has been the subject of three monographs to date. 

She is a graduate of the Whitney Independent Study Program, Yale Law School and Harvard College and attended the Berlin Hochschule der Kunste in Germany. She is the recipient of numerous awards including most recently a Smithsonian Artists Research Fellowship, the Wivina Demeester Prize for Commissioned Public Art and a John Simon Guggenheim Foundation Fellowship. 

Her work is represented in numerous institutional collections including the Whitney Museum of American Art, Bass Museum of Art (Miami Beach), SMAK (Ghent, Belgium), Berkeley Museum of Art, Bunker Art Space (Palm Beach), Clay Center for the Arts & Sciences (West Virginia), Art Omi, Museum der Moderne Salzburg, Princeton Art Museum, Pennsylvania Academy of Fine Art, Gwangju Art Museum (Korea), Centro Galego de Arte Contemporanea (Santiago de Compostela, Spain) and the National Gallery of Art (Washington DC), among others.

Ellen lives and works in Brooklyn and is represented by Locks Gallery (Philadelphia) and  Meessen Gallery (Brussels, Belgium).

Mermaid Eats Artist, Photograph: Thilo Hoffman, 2019