SEEING IS BELIEVING, 2001
 
A 30-minute video rear projected into a frame hung on a wall. At first, the video appears to be a split-screen. Only when the artist’s hand appears and starts painting does it become apparent that the white expanse on the left is a canvas obscuring the viewof the room behind. Over time, the left side of the canvas is painted so as to apparently complete the view that the canvas is hiding. In fact, the painted is viewis entirely fictional. It was painted using a live feed monitor viewof the camera’s view as a reference and has nothing at all to do with the room behind.
       
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